Showing posts with label MacHugh. Show all posts
Showing posts with label MacHugh. Show all posts

82 (U118.880) ーThat is oratory, the professor said

Cast 82. Page 118, line 880.

 ーThat is oratory, the professor said, uncontradicted.

 Gone with the wind. Hosts at Mullaghmast and Tara of the kings. Miles of ears of porches. The tribune’s words, howled and scattered to the four winds. A people sheltered within his voice. Dead noise. Akasic records of all that ever anywhere wherever was. Love and laud him: me no more.

 I have money.

 ーGentlemen, Stephen said. As the next motion on the agenda paper may I suggest that the house do now adjourn?”

 

This is from Episode 7, in the newspaper office. J. J. O’Molloy, Professor MacHugh, Stephen, and others are talking. Professor MacHugh has just quoted a speech by the orator and barrister John F. Taylor. What follows is Stephen’s inward response.

In Taylor’s speech, an Egyptian high priest rebukes the Jewish Moses. The point is clearly allegorical: Egypt stands for Britain, and the Jews for Ireland.

Stephen imagines Taylor’s speech transposed into the landscape of ancient Ireland.

Gone with the wind” is of course famous as the title of the novel by Margaret Mitchell (published in 1936), and even more through the 1939 film.

But since Ulysses was published in 1922, Mitchell’s novel cannot be relevant here. Her title itself was taken from a line in the poem Cynara by the nineteenth-century English poet Ernest Dowson (1867–1900), and that may well be what Joyce had in mind.

I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.

The Hill of Tara was the legendary seat of the High Kings of Ireland. Mullaghmast was likewise associated with royal or ceremonial gatherings in early Irish history.

It is also an extraordinary coincidence that Tara is the name of the plantation in Gone with the Wind, owned by the O’Hara family, Irish immigrants living near Atlanta. Yet here in Ulysses, Tara appears for wholly Irish reasons.

I was not sure at first about hosts, but dictionary definitions include “a vast multitude,” which fits perfectly here.

Miles of ears of porches” comes from Hamlet. It echoes the famous speech in Act I, Scene 5, where the ghost of Hamlet’s father describes how Claudius murdered him by pouring poison into his ear.

Brief let me be. Sleeping within mine orchard,
My custom always in the afternoon
Upon my secure hour, thy uncle stole
With juice of cursèd hebenon in a vial,
And in the porches of mine ears did pour
The leperous distillment, whose effect
Holds such an enmity with blood of man
That swift as quicksilver it courses through
The natural gates and alleys of the body,

The ear is imagined as the porch or entranceway of a house. Here Stephen seems to picture long rows of listeners’ ears opening themselves to the orator’s voice.

A little earlier in the chapter, Stephen had already recalled this same phrase in connection with a murder case involving brothers, and that earlier echo leads into the present passage.

 J. J. O’Molloy turned to Stephen and said quietly and slowly:

 ーOne of the most polished periods I think I ever listened to in my life fell from the lips of Seymour Bushe. It was in that case of fratricide, the Childs murder case. Bushe defended him.

 And in the porches of mine ear did pour.

(U114.750)

Scatter … to the four winds” means to scatter in every direction.

The phrase apparently comes from Jeremiah 49:36 in the Old Testament:

And upon Elam will I bring the four winds from the four quarters of heaven, and will scatter them toward all those winds; and there shall be no nation whither the outcasts of Elam shall not come.

So the “four winds” also connect back to the opening phrase, “Gone with the wind.

The “Akasic records” refer to the idea of a cosmic memory in which every event, thought, and emotion since the birth of the universe is somehow recorded.

The term is associated either with Helena Blavatsky (1831–1891), founder of the Theosophical Society, or with Rudolf Steiner (1861–1925), who later developed Anthroposophy. Spiritualism and theosophy were very much in vogue in the world of the novel, that is, in 1904.

And again, just a little earlier in the chapter, J. J. O’Molloy had asked Stephen what he thought of the Blavatsky circle, so this too is part of the chain of association in Stephen’s mind.

 ーprofessor Magennis was speaking to me about you, J. J. O’Molloy said to Stephen. What do you think really of that hermetic crowd, the opal hush poets: A. E. the mastermystic? That Blavatsky woman started it. She was a nice old bag of tricks.

(U115.782)

Stephen has money because he was paid this morning by Mr Deasy, the schoolmaster.

He seems, at least here, impatient with Irish nationalist rhetoric. So he declares the meeting adjourned and proposes they all move on to the pub.

Sunset of the Hill of Tara

File:Sunset-hill-of-tara.jpg - Wikimedia Commons

For the method of this blog, click   Here.

41 (U102.253)

 ’neath the shadows cast o’er its pensive bosom


41st cast. page 102, line 253.


neath the shadows cast o’er its pensive bosom by the overarching leafage of the giants of the forest. What about that, Simon? he asked over the fringe of his newspaper. How’s that for high?

  —Changing his drink, Mr Dedalus said.

  Ned Lambert, laughing, struck the newspaper on his knees, repeating:

  —The pensive bosom and the overarsing leafage. O boys! O boys!

 —And Xenophon looked upon Marathon, Mr Dedalus said, looking again on the fireplace and to the window, and Marathon looked on the sea.

 

Episode 7.In the editorial office of the newspaper. Conversation among Stephen's father, Simon Dedalus, Net Lambert, and McHugh.

 

Today's Freeman Journal has a rhetoric-filled patriotic speech given by Dan Dawson last night. (U75.151) Lambert is reading the passage.

 

Charles Dan Dawson (1842-1917), proprietor of the Dublin Bread Company, was mayor of Dublin in 1882 and 1883, and in 1904, the year of the novel, was Collector of Rates for the city of Dublin.


Dawson is a baker and Lambert is a grain merchant. Joyce's father, John Stanislaus (a model for Simon) had taken a job in a tax collection office after his downfall. There might be some background to their teasing of Dawson.

 

What does "changing his drink" mean?

 

Gifford's annotation interprets this as "drinking in chunks gets you drunk faster". In other words, Simon says, Dawson got drunk and wrote a poetic sentence. It doesn't seem to fit. I searched the net and came across an article by John Simpson on a site called James Joyce Online Notes.


Dawson usually writes secular and realistic articles, but yesterday's speech was exaggerated and poetic in a different tone. The expression "changing his drink" was a common expression used in Joyce's time in speeches and in the press, meaning "changing to a more pungent and stronger tone". This fits well.

  

Lambert plays on a ward “overarching" in Dawson's speech,” overarsing”. This replaces ”arch” in the word with ”arse”. The reason why it is called  ”arse” is because it is a pun on "bosom".


   Xenophon looked upon Marathon

   Marathon looked on the sea. 

 

This is an adaptation of the following passage from The Greek Islands in the third song of Byron's Don Juan (1819 - 1824).

 

   The mountains look on Marathon—

     And Marathon looks on the sea;

   And musing there an hour alone,

     I dream'd that Greece might still be free;

   For standing on the Persians' grave,

     I could not deem myself a slave.

 

Xenophon (ca. 430 BC - 354 BC) was an ancient Greek soldier and historian who, in 401 BC, at the request of King Cyrus of the Persian Empire, became a mercenary and fought in the civil strife within the Persian Empire. King Cyrus was killed in battle and the Greek mercenary force was in danger. Xenophon led his mercenaries out of Asia Minor.

 

Marathon is a village northeast of Athens. It was the location of the Battle of Marathon (490 BC). The Battle of Marathon was fought during the Second Persian War (490 BC).The expeditionary force sent by Darius I of the Persian Empire that landed at Marathon was intercepted and defeated by the allied Greek polis forces mainly from Athens.


Xenophon and Marathon are not related. I think Simon knew that Byron's poem was about Greece and Persia, and he made up the passage by connecting Xenophon and Marathon, which are related to Greece and Persia.


Portrait of Lord Byron

File:Byron 1813 by Phillips.jpg - Wikimedia Commons


The method of this blog  Here